The Explore Magazine and other treats

We would like to thank the Explore Magazine and SMV Publishing for the wonderful article on Jay Hester in the current edition of September 2016 Explore Magazine. Please take a moment to read the great two page spread written by Gallery Director, Gabriel Delgado. The insightful curatorial essay helps bring an insider perspective to Jay Hester's upcoming solo exhibition, which opens October 8, 2016.   READ NOW READ NOW ***(As published in the Sept. 2016 edition of The Explore Magazine)*** History Told Through the Artistic Lens An essay exploring the curatorial theme and historical aspects of Jay Hester: “TEXAS – Stories of the Land” -Gabriel Diego Delgado  “There is history that is based on hard, documented fact; history that is colored with rumor, speculation, or falsehood; and history that exists in what might be termed the hinterlands of the imagination.”  - S.C. Gwynne In S.C. Gwynne’s Empire of the Summer Moon, a book on the rise and fall of the Comanche tribe, the nonfiction writer pens a simplistic sentence that encapsulates a complementing narrative to the preceding introduction of the upcoming solo exhibition by Boerne artist, Jay Hester, at J.R. Mooney Galleries.  The statement addresses the chronological irregularities of scholarly history in which we draw historical conclusions based on writers, historians, and deemed academics’ biased or unbiased judgement of events that shaped these great lands. In Jay Hester: “TEXAS – Stories of the Land,” a solo art exhibition at the J.R. Mooney Galleries of Fine Art in Boerne, opening October 8, 2016, the artist visually pieces together a multitude of historic ‘stories’: encounters between the Texas Rangers and the Comanche and Apache tribes; raids and battles in Linnville and Plum Creek, Texas; stoic pioneering personas; and monumental peace treaty signings. Historians have spent years, decades and centuries putting together accounts of famous and not so famous encounters, battles, raids, and ambushes of the Native American tribes on western migratory settlers and European immigrants as they built homesteads, colonies and compounds to fulfill their need for a place to call home.  As an artist, Jay Hester deeply commits himself to preserving the historical value of these narratives of heartache and triumph.  In the new artworks, Hester is influenced by the early era of Texas independence, its seceding mentalities, the Texas Rangers, Native American tribes, cultural skirmishes, pioneering visions, religious and political freedoms, harsh realities and the people that lived and died in the frontier lines of Comancheria.  “This show gives me a perfect opportunity to retell these stories and other historical events in the only way I know...through my art,” he says. By sharing their ‘stories’ through his artistic talent and signature western genre of painting, Hester strives to be true to the city he calls home, the families he respects, and the heroes and antiheroes he holds in high esteem.  In an article in the September/October, 2016 edition of Cowboys & Indians Magazine, writer Dana Joseph quotes Hester as stating, “I developed Texas stories through the colorful characters of the times.”  This is an accurate description of his newest visual selections that give remembrance, credence, and reverence to an era wrought with swift justice, vigilante mobs, vast armies and the unforgiving principles of manifest destiny.  Not always culturally sensitive, empathy driven or politically correct, these ‘stories’ are, however, important to remember and Hester dives deep to accomplish summarized compositional renditions for the gallery.   The largest artwork in the exhibition is a masterful piece titled The Healer.  This 48” x 60” oil on canvas painting has Hester elegantly leading the audience through Dr. Herff’s pioneering cataract surgery in the 1800’s that saved a Comanche Chief’s eyesight.  Derived from online research, published accounts, passages from Early Texas Physicians, 1830-1915: Innovative, Intrepid, Independent by the Texas Surgical Society, as well as a rewarding conversation with Juanita Herff Chipman, a direct descendant of Dr. Herff, Hester was able to piece together a panoramic view of how the surgery actually occurred.  He alludes to the fact that the surgery laid the groundwork for a mutual understanding between some of the Native Americans and the early settlers of Boerne.  "Dr. Herff became a larger than life figure in our area with all he accomplished as a young doctor in this uncertain country.  His fair treatment of all people gained him respect by many tribes of Indians, as well as the rugged settlers of this part of Texas,” says Hester.   Hester also references this medical driven truce in other paintings in the “Stories of the Land” exhibition, as he walks through the days, months, and years that followed that memorable operation.   We learn of the Mexican girl that was gifted to the Herff family as a sign of gratitude for the doctor’s care, her rise within the Herff family and her fairytale-like marriage into an astute and reputable German family.  In another painting we see the white feathered arrow that was shot into the fence post of the Herff family ranch (currently the Cibolo Nature Center and Farm) years later by raiding Native Americans, a visual indication of “peace” to this property, a signal that spared the Herff homestead during their pillaging, looting and attacks on settlers in the Boerne area.  Through Hester we can witness the discovery of Edge Falls by the Comanche Nation.  This mystical waterfall and swimming hole on the border of Boerne and Bergheim, Texas later became a sacred watering ground for several of the tribes that roamed these southern lands. Balancing the narrative between Native American portrayals and the “white man’s” western expansion, Hester relies on his formulaic teeter tottering of serene imagery.  For Hester, Texas Ranger John “Jack Coffee” Hays plays an intrinsic role in Texas history and is present in several of his new artworks.  With his trusted scout Flacco, Hays and their horses trot through Joshua Creek, creating a picturesque landscape painting complete with the majestic limestone quarries, cliffs, and bends of the riverbed that runs perpendicular to Interstate 10 West outside Comfort, Texas.  In another, Hester places the audience in a tense shoot-out with Hays and a Comanche party in a crevice at Enchanted Rock.  In this painting the artist visually references the role that the new five-shooter Paterson Colt played in Hays’s survival; an often-deliberated fact trundled in Texas folklore. Sometimes history is too jumbled to be believed, where ‘truth is stranger than fiction.’  Case in point, Hester indulges us with his unique perspective of the Linnville raiding war party on their way to Plum Creek (now Lockhart, Texas).  We see the incoming party silhouetted with their looted bounty of stovepipe hats, parasols, long pigeon-tailed coats and ribbons.  Tonkawa Indians served as Hays’s scouts, outfitted with white armbands and headbands to serve as visual indicators to separate them from the incoming aggressors.  Hester delivers a composition that sets the audience behind the front line of Tonkawa scouts; we are, in essence, Hays’s Ranger outfit, poised for battle. Rounding out the exhibition is a painting titled “Lasting Friendship” with a subject matter more familiar to Hester, the Meusebach Peace Treaty of Fredericksburg, Texas.  In 1996, Hester created a monumental bronze sculpture of John O. Meusebach and Chief Buffalo Hump sharing a tobacco peace pipe; a visual depiction of the treaty signing between the Comanche Indians and the German settlers that was unveiled on the 150th anniversary of the city of Fredericksburg, and is currently installed at Fredericksburg’s Markt Platz. When asked about the “Lasting Friendship” painting, Hester states, “Once again, learning about the German influence and the relationship with the Comanche tribes that roamed the Hill Country…gave me inspiration for my artistic creations." Jay Hester: “TEXAS – Stories of the Land” runs through November 5, 2016 at J. R. Mooney Galleries of Fine Art in Boerne.  More information for this exhibition can be found on the gallery’s website at www.jrmooneygalleries.com and the artist’s website at www.jhestergallery.com. J.R. Mooney Galleries of Fine Art is a full service fine art retail gallery, specializing in Texas vintage, local & regional, and contemporary art and is coupled with a world-renowned custom frame shop.  Locations are 305 S. Main St. in Boerne, Texas (830-816-5106) and 8302 Broadway in San Antonio, Texas  (210-828-8214).  Gallery Hours:  San Antonio – Monday through Saturday, 10 am to 6 pm; Boerne – Tuesday through Saturday, 10 am to 5 pm. -----Disclosure:  Gabriel Diego Delgado is the Gallery Director of J.R. Mooney Galleries of Fine Art- Boerne and the acting curator of Jay Hester: “TEXAS – Stories of the Land”   J.R. Mooney Galleries of Fine Art is proud to partner with the Cibolo Nature Center and Ranch for their annual luncheon gala. We are very excited to announce that this year, J.R. Mooney will be displaying "The Healer", by Jay Hester in front of Dr. Herff's homestead in Boerne. A wonderful juxtaposition of eras. Be sure to buy your tickets today for this wonderful nonprofit and land conservancy endeavor. "The Healer", Jay Hester, oil on canvas, 48" x 60", $40,000, 2016 ***Breaking News*** Jay Hester and J.R. Mooney Galleries  are featured in the new edition of ART OF THE WEST magazine!! Thank you to Tom Tierney for making this happen! J.R. Mooney Galleries would also like to thank Dana Joseph at COWBOYS & INDIANS Magazine for the great article she wrote on Jay Hester,  leading into his solo exhibition. Mrs. Joseph was captivated by Hester's career and his research on the historical significance of his subjects. This article can be found in the new edition of COWBOYS & INDIANS. http://www.cowboysindians.com/     Copyright © 2016 JR Mooney Galleries, All rights reserved. You are receiving this email because we like to send you news about J.R. Mooney Galleries and the Texas art community. Our mailing address is: JR Mooney Galleries 8302 Broadway San Antonio, Tx 78209 Add us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list

History Told Through the Artistic Lens

J.R. Mooney Galleries is proud to spotlight the new article in the September 2016 edition of the Explore Magazine written by Gallery Director, Gabriel Diego Delgado titled: 
"History Told Through the Artistic Lens", following the curatorial endeavor and thematic discussion around Jay Hester's new solo exhibition slated to open October 8, 2016 in Boerne Texas.

Read it here at:

http://www.hillcountryexplore.com/?p=5387

 

"Jay Hester: TEXAS-Stories of the Land" 

 

Jay Hester TEXAS- Stories of the Land article in the Spring edition of JRM Quarterly Magazine

J.R. Mooney Galleries is proud to launch their new publication titled: J.R.M. Quarterly Magazine! The launch of J.R.M. Quarterly Magazine is all about giving an outlet to the daily happenings within the gallery and giving voice to the artists that grace the walls of this institution. These pages are packed full of educational tidbits about the artworks by our represented artists as well as consultation advice for those beginning to explore the art galleries in their communities. J.R. M Quarterly  Magazine aims  to use its pages as a vehicle to educate, entertain and enlighten our audience on a variety of topics ranging from reviews, news, artist narratives, interviews, criticism and a wide range of other art related stories from within the gallery walls. I hope you find this informative and hope you continue to follow the artistic adventures of J.R. Mooney Galleries. READ NOW! ---------------------------------- "The articles published in this premier edition of our quarterly magazine include: the seaside aesthetics of glass artist, Mary Hong, abstract paintings of Jim Hatchett, nostalgic qualities of Arthur McCall, the blockbuster exhibition of Jay Hester, and new works by Texas Hill Country artist, Margie Barker." Over the next few weeks we will showcase each published article  in a five part email campaign to help promote the artwork of these regionally recognized artists. ----------------------------------   Today we spotlight the recent article by Katherine Shevchenko on Boerne Artist, Jay Hester and his preparation for his solo exhibition at J.R. Mooney Galleries-Boerne. READ ONLINE NOW! Jay Hester: “TEXAS: Stories of the Land” Jay Hester, a well respected artist also affectionately known as the “Godfather” of the Boerne art scene, returns in a prodigious and monumental fashion with his first solo exhibition of paintings in almost twenty years.  “TEXAS: Stories of the Land” is his inaugural showing at J.R. Mooney Galleries of Fine Art-Boerne.  This show will open on October 8th with a reception with the artist in attendance and will be on display until November 5th at the Boerne gallery location. Mr. Hester decided to chronicle pivotal events from the Texas historical canon that have taken on near mythic proportions due to their legendary status in their significance in shaping Texas’ socio-cultural landscape.  Hester has prominently focused on the early days of the first settlers in the Texas area and the pivotal trials and tribulations of their encounters with the native Indian tribes of the land in times of war and the eventual culmination of treaty signings and the first sowings of peaceful relations. Gallery director, Gabriel Diego Delgado further discusses his motivations in the show’s formulation, “I thought we could curate an exhibition directly related to this endeavor.  I feel with his unique artist’s voice of Texas history, he would develop a wonderful sensibility; a kind of mystical approach mixed with self-imposed artistic liberties… depicting these often violent times.”  The gallery shall become a platform in which “to give Jay Hester a voice in telling the various historical legends of Texas…”  Hester has been a seasoned and avid scholar in the story of the American Southwest for many years.  According to his wife, Judy, “Jay has a deep interest in Western and Native American art and has read and researched these subjects for years following his relocation to Santa Fe, New Mexico in 1980.”  The exhibition is another chapter in the artistic journey of Hester, with his knowledge and aesthetic interest in preserving Texas’ rugged past in oil paint.  “This passion has overlapped an opportunity through J.R. Mooney Gallery to express myself artistically in this personal way," Hester elaborates. The beginnings of this exhibition started in the early months of 2016, when Hester sat down with Delgado to discuss the possibilities of scope and theme of his upcoming show.  Delgado remarked on the early stages of the process, “Sitting down with the artist, we discussed aspects of various legends, historical figures and geography to see how we could pick and pull together aspects of surrounding regions to tell a cohesive story of South Texas, making it relevant to the populations of these regions; the paintings acting as historical lessons, tied as much to education as to aesthetic.”  With many ideas just beginning to get formulated, Hester undergoes the preparation by diligently sketching rough compositional drawings on napkins at his favorite breakfast diner each morning.  The sketches are then developed into more refined finalized drawings that are transferred to his canvases to be rendered in oils, with, of course, diligent research to maintain historical accuracy.  "I spend many hours alone in my studio, as you may guess is the case with most creative people.  I am not always at the easel, but for this show in particular, I have read and reread articles and parts of books detailing Texas events.  I have reviewed photographic images for accuracy.”  Many discoveries have been woven into Hester’s dramatic vision bringing Texas history to life and infusing it onto the canvas.  According to Hester, "I knew some about the German migration and early settlement having lived in Boerne for over 20 years.  However, there is a wealth of small details that gave me greater respect and appreciation of the people of this area as Texas grew and expanded.”  As he works in the studio creating his works, his process is akin to storytelling.  “Much like a writer choosing just the right words or using too few or too many words to tell a story, deciding on the right size canvas for the composition, the number of subjects that will adequately fill the space, or the shape of the landscape that best depicts what I am trying to say in my work, [it] is a daunting task.” A quintessential character that made immense contributions to the San Antonio and greater Boerne area was the doctor Ferdinand Ludwig Herff.   One of his immense accomplishments is captured in a large scale painting that recreates the infamous cataract surgery he performed on a Comanche chief; a meticulous operation that was performed outdoors without anesthesia.  This operation saved the chieftain’s eyes and aided in paving a transition to smoother relations between the settlers and native tribes in the forthcoming years.  Hester recounts on why he chose Dr. Herff in particular, “One of the most notable people that came from Germany was Dr. Herff.  He was an exceptional man, noble in character and gifted as a surgeon in his time.  His persona needs to be celebrated and given this platform of a solo show highlighting his story.  That is what I will attempt to do." In the experience of wisdom gleaned from many seasons, Hester is taking more time now to contemplate and let the creative well renew itself, saying, “I often realize that I may need more rest in between long stretches at the easel.  My spirit needs recharging when my work is in question or I am off in some way.  My answer always is more time is necessary for a better result.”  As anticipation mounts and the exhibition opening date draws near, Delgado shares the aspirations that underlay the foundation for such a venture, “I hope that an exhibition of this caliber would show the collectors, patrons and appreciators of Hester’s art that at 70+ years old Hester is still a masterful craftsman in his signature genre, illustrating that he is constantly pushing his visual capabilities.”  In questioning Hester on what he has done unique to this exhibition’s specific conceptual needs, the answer still remains to be seen, “Not until the show is over can I really know what I would do differently.  I always say I strive for the best result, as I do hope these pieces will show." J.R. Mooney Galleries of Fine Art present: “TEXAS: Stories of the Land” an art exhibition by Jay Hester Opening Reception: October 8, 2016 - 4 p.m. to 8 p.m. at J.R. Mooney Galleries in Boerne Exhibition dates: October 8, 2016 - November 5, 2016 © Katherine Shevchenko, Art Consultant, J.R. Mooney Galleries, Boerne   Copyright © 2016 JR Mooney Galleries, All rights reserved. You are receiving this email because we like to send you news about J.R. Mooney Galleries and the Texas art community. Our mailing address is: JR Mooney Galleries 8302 Broadway San Antonio, Tx 78209 Add us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list

New Small Paintings by Margie Barker

JR Mooney Galleries of Boerne is proud to showcase eleven new paintings by Helotes Texas artist, Margie Barker. However, the first day we received them in they all SOLD!!! sorry

Ragan Gennusa new giclee at the Gallery

Regan Gennusa giclee ,"Out of the Brush", 24" x 48" , $1,090.00 at JR Mooney Galleries Boerne 830-816-5106 ‪#‎jrmooneygalleries‬ ‪#‎regangennusa‬ ‪#‎cowboy‬ ‪#‎longhorn‬ ‪#‎western‬ ‪#‎hillcountry‬ ‪#‎cattle‬ ‪#‎oldwest‬ ‪#‎boerne‬ ‪#‎boernetexas‬