Friday, April 26, 2013
Thursday, April 25, 2013
A Scale Comparison in Western Art
.......Then and Now of Arthur McCall......
Gabriel
Diego Delgado
Arthur
McCall, native Texan painter of country time “nostalgia” is known for his
standard easel size painting; depicting the serene Texas hill country of yonder
years. However, recently an older painting of McCall’s has resurfaced on the
art market that is unique in its physicality measuring 66” x 32”.
This tall and slender vertical ranch scene with
an enormous skyline titled “South Texas” has a certain “walk-in” quality.
Centered perfectly in the middle of the picture sits a ragged and dilapidated
barn, complete with broken and missing board and batten siding. Nestled on the
right side of the structure, snug like a sleeping baby sits an antique
automobile underneath a carport-- lost in time with tires growing roots into
the parched Texas ranchland. Rusted tin
roofs are proof of a once sustainable agriculture and accommodating climate. No longer worked from sun up to sun down, this
estate has been left to be reclaimed by the unforgiving arid surroundings.
"South Texas"
Crisscrossed
paths add visual routes for our eyes to follow from the foreground to the back
of the barn, through the shanty fence line. A hollow and darkened door-less
entry awaits any curious weekend explorer looking for unclaimed keepsakes of Texas
legacies. Patches of dried out, once
luscious, greenery has been met with encroaching deserts from South Texas,
forming triangular patterns of Mother Nature zeroscaping. Skeletal remains of a covered wagon are preserved like some archeological
specimen of some western antiquity. This
naked wooden utilitarian cart maintains its own special rigor –mortis fragility
in rusted and rustic landscape permanence.
Various
shades of yellow, pink, mauve, blue, violet, orange, cream, green, and white
swoop and swoon you into the painting with McCall’s elegant setting summertime
sun. The “V” shaped billows converge on the windmill, an anchoring point to
ground you back to the horizon line. Owning half of the overall viewing
experience, the atmospheric qualities add a meditative essence piggybacking on heartfelt
tugs of nostalgic past memories.
"Mason County"
On the other
hand, McCall’s newest painting “Mason County”, 2013 is a moderate 18” x 24”. A small masterpiece depicting its own
systematic scale comparison between massive boulders and the undersized flock
of foraging fowls. Scattered cactus
speckle the brush, while a male “gobbler” turkey displays his ornamental array
of feathered beauty; calling on his hens to pay notice. Dwarfed by the looming
boulders and uncompromising Texas terrain, this temperamental “Tom” stands back
to adore his flock. Granite rocks
dominate the composition like nature’s pillars, solid and immoveable--a
defensive barrier to the ever expanding and encroaching urban sprawl. Mesquite trees peek from behind, lined up at
attention like soldiers protecting McCall’s nostalgic country time innocence.
©Gabriel Diego Delgado 2013
Wednesday, April 10, 2013
Ile d' Orleans
Ild d’ Orleans
“The canvas is first prepared with a
coat of burnt sienna. That is the light
that integrates all the subject matter.
This coat appears everywhere on the canvas and is one important
characteristic of my technique. That burned
sienna is the light that integrates the scene and gives it the desired
vibration. The second important
characteristic is the heavy impasto I deposit on the canvas which makes
possible the random rendering of the subject.
The third is the vibration of the layers of colors when they are one
beside the others to create the atmosphere, the ambiance, and the temperature
of the moment. The fourth is the mix of
numbers of colors in the same brush stroke, giving the flickering effect. Then comes the loose movement I give to each
stroke, as if the wind is playing with it, which gives the painting the desired
of movement.”
-Samir Sammoun
**Page 7, “Note
from the Artist”-Samir Sammoun Walking with the Giants, J.R. Mooney
Galleries, May 2010
Ile d’ Orleans
Samir Sammounb
12” x 16”
Oil on Canvas
$3480.00
A vivacious outlook, Ile d’ Orleans is vibrant glow of
exaggerated hues, reminiscent of the 1960’s day-glow posters with neon yellows
and pink gestures that scatter amongst the swaying spring grasses. The ruddy accents dance across all levels of
spatial illusions, guiding us like a host of masterful choreographers; offering
lessons of color and rhythm. Three darkened clusters of bush and shrubbery
regulate the foreground, blocking off the viewer from the cool calming blue
waters; a strong horizontal rendered midpoint in the overall pictorial
composition.
Sammoun recasts another row
of linear elements as a buttery embankment and dense tree line, each anchoring
the background in its own unique impressionistic manner. The firmament swirls
with various blue tones that are overlapped onto the brunt sienna; revealing peeks
of a drab brown under painting; an artistic undergarment exposed throughout the
whole painting.
©Gabriel Diego Delgado
JR Mooney Galleries
Wednesday, April 3, 2013
Samir Sammoun
These 5 new
paintings by Samir Sammoun at J.R. Mooney Galleries are part of an expansive
selection of his work now available at the gallery after his successful showing
at NYC ArtExpo 2013. Mr. Bob Mooney has
made available 9 new paintings by Samir Sammoun in the San Antonio gallery.
Samir
Sammoun was born in 1952 in a quaint Lebanese village perched atop the Chouf
Mountain, 40 km south of Beirut. To this day, the artist vividly recalls the colorful
Mediterranean landscape of his childhood. At age 21, Samir immigrated to Canada
where he obtained degrees in electronic engineering and telecommunications.
Since graduation, he has pursued his professional career as well as his
passion, painting.
See more of
his work and an artist bio at http://sammoun.com
To purchase these works by Samir Sammoun and others, Call 210.828.8214
To purchase these works by Samir Sammoun and others, Call 210.828.8214
Amadiers
30 x 40"
$15,000
Champ de ble Bekaa etude
8 x 10"
$1800
Beyad homage Amon pese
24 x 30"
$9000
Ile de Orleans
12 x 16"
$3480
Vallie e la Bekanet Mont Liban
16 x 20"
$560
Tuesday, April 2, 2013
Longevity, Civility and Perseverance-JR Mooney Galleries & The Ebensberger-Fisher Funeral Home
April 2013 edition of The Explore -Kendall County's Most Popular Magazine.
**On Page 37-38 is an article that showcases two important business in Boerne and their unique historical contributions to Texas!!
See the Magazine and the article at:
Longevity, Civility and Perseverance
How two businesses achieved historical recognition-
“Texas
Treasure Business Award”
-Gabriel Diego Delgado
website: www.jrmooneygalleries.com
--Boerne, Texas, a city unique
as its name, lays claim to two businesses out of only 41 in the state of Texas who have been
awarded the coveted and prestigious Texas Historical Commission’s Texas
Treasure Business Award. J.R. Mooney
Galleries of Fine Art and The Ebensberger-Fisher Funeral Home now belong to a
select group of businesses and entities that have met the rigorous requirements
of receiving such a prominent award.
Each with its own exceptional history, family contributions, civil leadership, pioneering innovations and exceptional business practices, J.R. Mooney Galleries of Fine Art and The Ebensberger-Fisher Funeral Home strive to continue serving a revered legacy set forth by past family generations; akin to their respectively honored business leaders that sacrificed, challenged and succeeded in all economic climates of Texas over the last 60+ years.
JR Mooney Gallery Interior
Original JR Mooney Signage and exterior facade
“Only less than 2% of all businesses ever receive this recognition”, said Senator Jeff Wentworth, while presenting the certificate to Robert Mooney, President of J.R. Mooney Galleries, on December 15, 2012 at the
Bob Mooney on the Senate Floor in Austin, Texas
Historical decal
On January 23, 2013, representatives from 6 other Texas businesses, including J.R. Mooney Galleries and The
Ebensberger-Fisher Funeral Home were recognized at the State Capital in Austin , Texas ;
receiving proclamations on both the House of Representatives and the Senate
floors.
The Explore Magazine article, April 2013 edition
These tales of achievement are mirrored in the sincere words
of Texas Historical Commision Chairman, Matt Kreisle, “It is a privilege for us to recognize our long-established businesses
that have remained committed to Texans for generations, while creating jobs and
stimulating economic growth…May this recognition serve to increase success and
productivity for many years to come.”
Evolving through inevitable growing pains, all businesses
rise and fall to the occasion; making decisions that shape their business
culture for future generations and clients alike. J.R. Mooney Galleries of Fine
Art and The Ebensberger-Fisher Funeral Home were no exceptions.
Robert Mooney shares one story of how the ever changing Texas economic climate
made the gallery redirect, refocus and reevaluate their model. “In
1980 a third gallery was opened. {after the opening of North Star Mall
Gallery in 1973.} This new showcase
galley added a new client base, including Willie Nelson, Reba McEntire, Gov. Ann
Richards, just to name a few”, he
says. “All three galleries grew and developed over the following 18 years”, he
comments, pausing the collect his
thoughts. “1998 Mr. Joe Mooney and Mrs.
Adelle Mooney retired leaving me to operate all three locations. The economy
and other considerations led to the decision to consolidate the operations back
to one location on Broadway; closing both the North Star Mall and Austin locations
in the summer of 1998.”
Her proudest feat was being able to restore the original
long leaf heart pine floors which are now only available through reclaiming.
Adelle Mooney
Joe Mooney
Stories of handing over the business reins could be felt at
the funeral home as well, seen in the historical lineage of how the Fisher
Family joined ranks with the Ebensbergers. “George
‘Sonny’ Ebensberger, 4th generation owner, joined his dad in the business in
1977. His wife Yvonne and he took over the funeral home business in 2000. Sonny
and Yvonne were looking to retire and knew the timing was right when they met
the Fisher family around early 2008. Even though they are enjoying retirement,
they remained partial owners of the business and stepped into help as needed.
Sonny and Yvonne knew Dustin “Dusty” and me to view the business as a ministry
and that we strived to treat each family they served with integrity and
compassion just as the Ebensbergers have for the last 130 years”, says Jo Lynn Fisher .
“In December of 2008, the funeral
home became Ebensberger-Fisher Funeral Home when Dusty Fisher took over the day
to day operation of the funeral home which allowed Sonny and Yvonne to
partially retire. Myself and our two children joined him in Boerne in February
of 2009. Under my direction, major renovations to the funeral home were
completed in 2009 while staying true to the original structure and maintaining
its architectural integrity”, she says boastfully.
Mr. Bob Mooney and Sen Jeff Wentworth
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