Gallery Prepares for Exhibition

The staff at J.R. Mooney Galleries of Fine Art has been working hard to prepare for the upcoming exhibition for Jay Hester's TEXAS-Stories of the Land. Our opening reception is tomorrow, Saturday October 8 from 4-8pm at our Boerne location. Please join us!

TEXAS-Stories of the Land to Open at J.R. Mooney Galleries of Fine Art

Celebrated artist Jay Hester weaves tales of western romanticism surrounding legends of the Texas Hill Country in his upcoming solo exhibition: “TEXAS: Stories of the Land.” Hester, a prolific painter with a long career steeped in traditional landscapes and western themes, has created commissioned works for Texas Tech University, USAA in San Antonio, the Zaragosa Theater at Six Flags Fiesta Texas, and the Driscoll Children’s Hospital in Corpus Christi, to name a few.  This exhibition, scheduled for October at the JR Mooney Gallery of Fine Arts in Boerne, is the artist’s first solo show in almost twenty years. For this show the affectionately known “Godfather” of the Boerne art scene applies his skills to the histories, legends and characters that helped shape the Hill Country of today.

Hester’s exploration of Western Romanticism is set against an unsure, sometimes violent backdrop of natives, pioneers, and rangers in “TEXAS-Stories of the Land”.  His storyboard includes raids, battles, and surgeries with characters such as one of Boerne’s founding fathers, Dr. Ferdinand Herff, and Texas Ranger John Coffee “Jack” Hayes. Hester used historical sources to corroborate with his artistic vision. He is aware of the discrepancies and contradictions that usually come up in historical research. He has many stories to choose from, and Hester tells them in his style using beautiful lighting and tough looking characters. He blends them into paintings that highlight moments of peace and courage during tense times.

The strongest example of the artist’s vision is the show’s center piece, “The Healer.” The painting shows Dr. Ferdinand Herff’s pioneering cataract surgery on a Comanche chief.  Dr. Herff was a German doctor for the Prussian army who eventually settled in Texas. He helped start the Bettina colonies as well as Boerne. This revolutionary surgery, possibly the first in the country, was performed in the 1840’s outdoors and without anesthesia. Needless to say, the event created a bond between the Comanche band and Herff‘s group which resulted in some peace.  Herff would go on to become the chief medical examiner for San Antonio, pioneering more surgeries and medical practice. He was one of the most sought after practitioners of his day. “Dr. Herff became a larger than life figure in our area with all he accomplished as a young doctor in this uncertain country. His fair treatment of all people gained him respect by many tribes of Indians, as well as the rugged settlers of this part of Texas,” says Hester.

 Another example of western romanticism inspired by legends about Boerne is Hester’s painting of the white arrow. By the 1880’s most surviving Native Americans lived on reservations. Quanah Parker had already surrendered and the Texas Indian Wars were over. However, there were still small resistance groups of Lipan Apache eking out their existence in the Hill Country. Legend has it that sometime during the 1880’s an elder Dr. Herff took his family to their Boerne homestead for a vacation from the busy city life in San Antonio. At the same time one of those groups of Lipan Apaches raided Boerne. The Herffs quickly boarded up their home and took shelter for the night, able to hear the sounds of pillaging in town. The next morning one of Herff’s sons went outside to survey the damage. To his surprise, their lands were untouched. There was a white feathered arrow shot into the homestead fence post.  This type of arrow was a Lipan Apache sign to the raiders to leave the homestead in peace.  It was said to have been shot by a Lipan Apache warrior who remembered the doctor had helped his family. Hester’s painting shows the dramatic moment raiding warriors arrive at the Herff homestead. The bold setting sun is surrounded by the dark storm clouds and the white feathered arrow stands out against the darker palette.  Hester captures the climactic moment when the leading raider, weapon drawn, turns away.  

Other paintings in “TEXAS: Stories of the Land” depict serene scenes that highlight the peaceful achievement of the communities. One showcases the unlikely friendship between Texas Ranger John (Jack) Coffee Hayes and Lipan-Apache chief, Flacco the Younger. Flacco would accompany Hayes on expeditions serving as a guide. The two became close and traveled together until Flacco was murdered, possibly by white settlers. Hester chose to reflect on happier times. The painting shows them riding through quiet, serene Joshua Creek.  The steep walls of the limestone cliffs reflect the warm afternoon light and the still creek.  Hester’s colorful foliage indicates it is fall and the two ride at a casual pace probably enjoying the nice weather. A sense of companionship permeates the canvas and far away is the fighting that preoccupied much of these men’s time.

Perhaps the most serene of the group, ”Lasting Friendship”  depicts the Meusebach Peace Treaty, which was also immortalized by Hester in bronze at the Markt Platz on the main square in Fredericksburg. The painting depicts chief Buffalo Hump offering the peace pipe to John Meusebach. The chief sits calmly with his legs crossed and Meusebach accepts the pipe on bended knee. The Comanche warriors and elders surround him in anticipation. What is of note is that the Comanche treaties were specifically with the Germans. The Comanche considered them displaced people. The tribe did not make peace with Mexico, Texas or the United States.

Finally, the painting “Lena’s Legend” represents hope. Pioneer times in Texas were rough and too often families were torn apart. Even once a settlement was established there was no guarantee it would prosper, let alone survive. There was disease, hunger and the constant fear of raids. No one living there was immune and it was common practice for Comanche to take prisoners of war, or slaves after battles or raids. Lena was a Mexican child living with the Comanche under these circumstances. As a gesture of friendship, she joined the settlers in Bettina colony shortly after Dr. Herff’s cataract surgery on the chief. Although she was not reunited with her biological family, Lena adopted a new one at the German colony. She learned the language and found her place in the community.  She married Hermann Spiess, a prominent settler, and had a family of her own proving that a person could survive and prosper in the wild, dangerous country.  

“TEXAS-Stories of the Land” runs through November 5th, 2016 at J.R. Mooney Galleries of Fine Art in Boerne. More information for this exhibition can be found at www.jrmooneygalleries.com. Please join us for the opening reception at JR Mooney Galleries of Fine Art in Boerne on Saturday October 8 from 4-8pm.

by: Gina Martinez, art and framing consultant for J.R. Mooney Galleries of Fine Art-Boerne. Originally published in The Dominion Magazine, October 2016

DON'T MISS THIS

J.R. Mooney Galleries and Texas Artist, Jay Hester are proud to announce that all the paintings in the "TEXAS- Stories of the Land" exhibition will be available in limited edition signed and numbered giclee reproductions. These high quality reproductions are available now at pre-sale and will also be on sale the night of the opening, October 8, 2016.  These wonderful paintings will only be available in limited editions of 10.   Call 830-816-5106 to reserve your copy! The Healer Oil on canvas 48” x 60” $40,000.00 Gicleé Reproductions/ Signed and Numbered limited editions of 10 24” x 30” gicleé reproductions available at $900.00 24” x 30” embellished gicleé reproductions available at $1,200.00  "As I researched this exceptional man, his persona captured my attention. I felt he was deserving of a special tribute which I hope is conveyed in the detail in this piece.” – Jay Hester "TEXAS- Stories of the Land" Reproductions Available   Lena’s Legend Oil on canvas 20” x 30” $6,900.00 Gicleé Reproductions/ Signed and Numbered limited editions of 10 20” x 30” gicleé reproductions available at $900.00 20” x 30” embellished gicleé reproductions available at $1,200.00 After Dr. Herff restored the eyesight of an Indian chief in the late 1840’s, the grateful man promised to return with a gift.  Six months later, apologizing for the delay, he appeared with his gift, a young Mexican servant girl.  The girl, accepted by Herff and adopted by the community, worked in the galley as she became familiar with her new home.  Later she married Hermann Spiess, one of the German pioneers, a friend of Herff and the successor of John Meusebach as commissioner of Adlesverein – the colonization of the Fisher-Miller Land Grant in the U.S. state of Texas.   "The legend of the young Mexican girl, gifted by a grateful chief and her ultimate acceptance into this German settlement, is a compelling Cinderella story.” – Jay Hester   White Feather Oil on canvas 36” x 48”  $19,800.00 Gicleé Reproductions/ Signed and Numbered limited editions of 10 30” x 40” gicleé reproductions available at $1,075.00 30” x 40” embellished gicleé reproductions available at $1,375.00 In 1888, Dr. Herff performed a cataract removal procedure on an Apache chieftain. Later, when the Lipan Apache Indians were on a rampage, many ranches and farms near Boerne were raided. The noise was heard by the Herff family however, the Herff property was spared. The next day the family discovered a lone arrow embedded in their gatepost with a white feather attached- a symbol to leave the doctor and his family in peace.   "Respect is the theme I took from this story of Dr. Herff and his relationship with the Indian people. This was a dramatic event and I wanted to convey that drama in my interpretation of it.” – Jay Hester     Lasting Friendship Oil on canvas 30” x 40” $13,800.00 Gicleé Reproductions/ Signed and Numbered limited editions of 10 30” x 40” gicleé reproductions available at $1,075.00 30” x 40” embellished gicleé reproductions available at $1,375.00 This painting symbolizes the treaty made between the Comanche Indians and the German settlers on the banks of the San Saba River north of Fredericksburg, Texas in 1847.  John Meusebach's lack of prejudice toward the Indians and his fair treatment gained him respect among the Comanche.  This treaty was not made by the United States, but by the German settlers of the area and was said to be the only pact between whites and Native Americans that was never broken. Jay memorialized this event with his sculpting of three heroic size pieces, by the same name, for the city of Fredericksburg.  These can be viewed at the Markt Platz in Fredericksburg and were unveiled on the 150th anniversary of the city in 1997.   "I paid careful attention to what I believe had to have been the facial expressions of these leaders and participants during this momentous exchange.” – Jay Hester   Leaving No Trail Oil on canvas 24” x 36” $9,900.00 Gicleé Reproductions/ Signed and Numbered limited editions of 10 24” x 36” gicleé reproductions available at $950.00 24” x 36” embellished gicleé reproductions available at $1,250.00 Flacco taught early Texas Ranger Hays about the Texas frontier and about Indian battle tactics.  He watched Hays closely and was with him during many battles with the Comanche from 1840-1842.  He is said to have saved Hays life on more than one occasion.  Friendships develop in unusual circumstances and in difficult situations.  These men of diverse backgrounds traveled together, learned from one another, and formed a bond of trust as they helped protect the new settlers in their rugged Texas surroundings.   "The bond of friendship and the beauty of the Joshua Creek location were what I wanted to capture on canvas.” – Jay Hester   Sacred Ground Oil on canvas 18” x 24”  $4,900.00 Gicleé Reproductions/ Signed and Numbered limited editions of 10 18” x 24” gicleé reproductions available at $800.00 18” x 24” embellished gicleé reproductions available at $1,110.00 As legend goes; Texas Ranger Jay Hays' first law of fighting was to never back down.  When preparing to scout alone near Enchanted Rock, Hays knew the Comanche would not tolerate his intrusion on what they considered sacred land. Before heading out that morning, Hays was overheard speaking to his guns, "I may not need you, but if I do, I will need you mighty bad." It proved to be true that day on Enchanted Rock. When he was discovered the Indians attacked, however with his two Paterson Colt five-shooters and a rifle, he was much better armed than those men attacking him.  The Comanche lost the confrontation with this fearless and spirited man.   "In this piece, the importance of the Colt in winning the West was a focal point.” – Jay Hester   The Discovery Oil on canvas 24” x 30” $8,300.00 Gicleé Reproductions/ Signed and Numbered limited editions of 10 24” x 30” gicleé reproductions available at $900.00 24” x 30” embellished gicleé reproductions available at $1,200.00 The secluded area known as Edge Falls is locally famous.  Jay's interpretation is that of a band of Indians were scouting the area and were the first to behold the beauty below.  Jay had the privilege to tour and photograph the land several years ago for a fundraising event for the Cibolo Nature Center.  Today the land is not accessible to the public.   "Visiting this beautiful place years ago, I imagined this unique waterfall and surroundings were revered by the Native American people.”  – Jay Hester   Tonkawa Reprisal Oil on canvas 24” x 36 $9,900.00 Gicleé Reproductions/ Signed and Numbered limited editions of 10 24” x 36” gicleé reproductions available at $950.00 24” x 36” embellished gicleé reproductions available at $1,250.00 After the 1840 Comanche raid at the Linnville, TX warehouses, the Indians adorned themselves and their horses in ribbons of calico and silk, as well as hats and other assorted clothing they confiscated.  Texas Rangers and local settlers formed a battle ready militia near Plum Creek to ambush the returning Comanche, recover the loot and punish them for their raid. Settlers also recruited members of the Tonkawa tribe to act as scouts and report the location of the Linnville Looters as they traveled northward.  The scouts were told to tie white strips of cloth to their arms or head to identify them as allies. The Comanche may have had no fiercer enemy than the Tonkawa.   "I resolved some of my interpretive matters with the story by having a Tonkawa scout observing the Comanche looters from a hiding place.  I had dreams about the position of the observer".   – Jay Hester Frontier Code Oil on canvas 20” x 30” $6,900.00 Gicleé Reproductions/ Signed and Numbered limited editions of 10 20” x 30” gicleé reproductions available at $900.00 20” x 30” embellished gicleé reproductions available at $1,200.00 Alfred Giles, a recently arrived architect from England, along with three frontiersmen, were traveling north through the countryside in what is now Kendall County.  From their high ground location they saw six Indians approaching.  The savvy frontiersmen told Giles to ensure his gun was loaded, point it straight upward and to position the horses facing in the cardinal directions.  This was regarded as Indian sign language - "If the Indians wanted to fight, the men were ready, but they would not start anything".  The Comanche respected bravery and rode around the men in a circle before giving a loud whoop and galloping away toward Boerne.   “This acknowledged ‘sign language’ of rifles pointed upward and horses specifically positioned was a new element in my understanding of the development of settler/Native relationships. I believe telling that story will assist others in understanding the intricacies of settling the Texas frontier.” – Jay Hester   Palo Duro Refuge Oil on canvas 24” x 40” $11,000.00 Gicleé Reproductions/ Signed and Numbered limited editions of 10 24” x 40” gicleé reproductions available at $1,000.00 24” x 40” embellished gicleé reproductions available at $1,300.00 Many of the Plains Indians camped in the protection of Palo Duro Canyon, where a Kiowa shaman promised they would be safe.  However, after a time, they were trapped in their refuge by the United States Cavalry and largely with the efforts of the Tonkawa in 1874.   "I appreciate the beauty of this canyon in Texas, the second largest in the United States, and I always find winter landscapes appealing.” – Jay Hester     Be sure to check out the latest edition of Boerne Business Monthly. In the September 2016 edition of "Mooney Makes Sense" column, we explore aspects of Western Romanticism and how it applies to contemporary elements of today's western art genre. READ NOW Western Romanticism A Term for this Generation   By: Gabriel Diego Delgado Writer, Peter Cowey, once published a statement about the western art genre and how portrayers often emulate the “...mythic vision of the plains and deserts of the American West."  Yes this is true.  As a collective consciousness for nostalgic moments, authors, artists, musicians and the like often portray the turn of the century western identities with cowboys fighting Native Americans back dropped by the mysterious and vast expanses of the desert plains.  Art writer, Arnold Hauser, goes on to talk about the divisions within the ideals of romanticism, the negative connotations and well as the progressive.  His credence is geared toward restoration and reaction to historical allegories.  But, let’s examine the term within the context of modern-day art discussions. Much is documented, discerned and debated on historical battles and the events of the push for expansion during the early formative years of the United States.  These insights into history are pieced together like a conceptual puzzle of who was where and when.  Yet, sometimes these acknowledged circumstances from over 100 years ago are inevitably crisscrossed with historical inaccuracies, created by an individual addressing events long before their time.  History is so often recorded by those that won, resulting in biased accounts that are seemingly one sided.  This we know. However, the time is now to re-coin the notion of “western romanticism” in such a way that it encapsulates all consensual understandings in debatable history.  Now is the time to feel free to cling to sensibilities of nostalgic comfort.  Collectively, we are allowed to arrive at conclusions that balance the “truth,” historical narratives and events perceived through our own concepts of history.  All of us can acknowledge the fact that yes, indeed, maybe some things did not happen the way in which certain scholarly events are taught, but sentiment-wise these perceptions are construed in our collective minds, so let’s agree that we each can investigate historical inaccuracies further and accept the possibility of different, yet logical conclusions of certain accounts. Illustrative art is no different.  From a pre-Remington art era to Howard Terpning to the Cowboy Artists of America, a significant number of cowboy and western artists, both living and dead, all have continued to paint timeless masterpieces reclaiming history in their own unique artistic voices.  They paint with passion, driving toward a need for an enriched visual aesthetic but fed by history.  From this artistic vision, the reevaluation of western romanticism is welcome and refreshing and can be found as a thriving genre of fine art.  The smaller art community of Boerne can be included in this conversation as well.  Jay Hester, the “Godfather” of the Boerne art scene, has been diligently pressing ahead in the creation of a new body of artwork for his forthcoming solo exhibition titled, “TEXAS – Stories of the Land.”  In this selection of masterpieces he reveals legends, stories, and western ballads that are rooted deep in the old archives of rural mythology; historical depictions of tales pertinent to Boerne, Texas and the southern United States. In the exhibition, “TEXAS - Stories of the Land,” Hester unveils a mix of nine new dramatic masterpieces that tell the story of his beloved Texas.  The subjects of his paintings range from the mystical Edge Falls waterhole in Kendalia; the raid at Linnville, Texas and ambush in Lockhart; Texas Ranger Jack Hays at Enchanted Rock; the scout, Flacco the Younger, and Hays on Big Josh Creek; the infamous cataract surgery performed by Dr. Herff on the Comanche Chief in 1847; the Meusebach treaty with John O. Meusebach and Chief Buffalo Hump;  a Comanche Chief and captive, Lena, at the Bettina settlement in 1847/1848; Texas Rangers with Alford Giles surveying land south of Fredericksburg to the renegade Apache Indians shooting the white feathered arrow onto the fence post of the Herff Ranch in 1888. All of these paintings by Jay Hester have been well researched by the artist and his wife to arrive at a debated conclusion of how these events, scenes, and portraits might have looked and are coupled with Hester’s signature serene nostalgic warmness.  “TEXAS – Stories of the Land” is Hester’s accumulation his understanding of these happenings arranged in his own sense of western romanticism. Join the J.R. Mooney Galleries of Fine Art - Boerne on Saturday, October 8th, 2016 from 4:00 p.m. to 8:00 p.m. for an exciting evening of western fine art honoring our great state of Texas in Jay Hester: “TEXAS - Stories of the Land,” a blockbuster exhibition in which Hester draws on historical happenings to give an artistic voice to stories long forgotten.  In his first solo exhibition in almost 20 years, J.R. Mooney Galleries in Boerne allows Hester to dominate and demonstrate as to why he is regarded as the “Godfather” of Boerne.  “TEXAS - Stories of the Land” is a dynamic Western and Native American art exhibition hosted by the oldest gallery in Texas, J.R. Mooney Galleries. For more information contact J.R. Mooney Galleries of Fine Art- Boerne at (830) 816-5106 or email the Gallery Director at gabrield@jrmooneygalleries.com J.R. Mooney Galleries of Fine Art is proud to partner with the Cibolo Nature Center and Ranch for their annual luncheon gala. We are very excited to announce that this year, J.R. Mooney will be displaying "The Healer", by Jay Hester in front of Dr. Herff's homestead in Boerne. A wonderful juxtaposition of eras. Be sure to buy your tickets today for this wonderful nonprofit and land conservancy endeavor. www.cibolo.org "The Healer", Jay Hester, oil on canvas, 48" x 60", $40,000, 2016 Copyright © 2016 JR Mooney Galleries, All rights reserved. You are receiving this email because we like to send you news about J.R. Mooney Galleries and the Texas art community. Our mailing address is: JR Mooney Galleries 8302 Broadway San Antonio, Tx 78209 Add us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list

History Told Through the Artistic Lens

J.R. Mooney Galleries is proud to spotlight the new article in the September 2016 edition of the Explore Magazine written by Gallery Director, Gabriel Diego Delgado titled: 
"History Told Through the Artistic Lens", following the curatorial endeavor and thematic discussion around Jay Hester's new solo exhibition slated to open October 8, 2016 in Boerne Texas.

Read it here at:

http://www.hillcountryexplore.com/?p=5387

 

"Jay Hester: TEXAS-Stories of the Land" 

 

Jack Hays by Texas Artist Jay Hester

Character study of Jack Hays by Texas Artist, Jay Hester as part of a new group of sketches for his upcoming solo exhibition in Oct. 2016. The painting sketch of Hays will be on display for the BPA’s Parade of Artists 2016 exhibition at J.R. Mooney Galleries-Boerne.

Stay tuned for more information about Jay Hester's solo exhibition of new work very soon!!!!!

 

"Jack Hays"
Jay Hester
24" x 18"
$4,500.00
Call 830-816-5106 to purchase or view before the "Parade"

Although small in stature, Hays was known for never backing down during a fight.  He learned that the determination of a few could whip a larger force.  He was an inspiration to those who followed him and became a true hero on the Texas frontier.  Hays is credited for turning back several Comanches during a fight at Enchanted Rock, near Fredericksburg, as well as forcing Mexican General Woll  out of San Antonio in 1842.  The addition of the Colt revolver additionally led to defeating attacking Indians at several locations in the Hill Country and beyond.  This gun allowed a Ranger to reload and fight from horseback.

Eventually, the California gold rush lured Hays to the area as he speculated in mining.  He became the first elected sheriff of San Francisco and helped found the city of Oakland.  He is, however, best known for his defense of the Texas frontier when Comanches dubbed him "Devil Yack.  He died in 1883 on San Jacinto Day.

----Col. John Coffee "Jack" Hays (January 28, 1817 – April 21, 1883) was a captain in the Texas Rangers and a military officer of the Republic of Texas. Hays served in several armed conflicts from 1836–1848, including against the Comanche people in Texas and during the Mexican-American War.
Jack Hays was born at Little Cedar Lick, Wilson County, Tennessee. His father Harmon A. Hays fought in the War of 1812, naming his son for a relative by marriage, Colonel John Coffee.
In 1836, at the age of 19, Jack Hays migrated to the Republic of Texas. Sam Houston appointed him as a member of a company of Texas Rangers because he knew the Hays family from his Tennessee years. Jack met with Houston and delivered a letter of recommendation from then-President Andrew Jackson.

In the following years, Hays led the Rangers on a campaign against the Comanche in Texas, and succeeded in weakening their power. Jack rode with an Apache Chief named Flacco who led the charge into every battle with him. The duo led and inspired the Rangers. In 1840 Tonkawa Chief Placido and 13 scouts joined with the Rangers to track down a large Comanche war party, culminating at the Battle of Plum Creek.

Later, Hays commanded the force against the invasion from Mexico of 1842. During the Mexican–American War (1846–1848), Hays commanded the First Regiment of Texas Rangers at the Battle of Monterrey, established six companies along the northern and western frontier of Texas, and commanded the Second Regiment of Texas Rangers in Winfield Scott's Mexico City campaign.The Rangers excelled during this conflict, gaining nationwide fame.

On April 29, 1847, in the Magnolia Hotel, Hays married Susan Calvert, a descendant of George Calvert, First Baron Baltimore, in Seguin, Texas, where he had his home.His wife was also a descendant of the Benjamin Harrisons of Virginia and related to George and Martha Washington.
The Comanche had great admiration for Hays. Upon the birth of Hays' first son in California, Chief Buffalo Hump sent the Hays family a gift, a golden spoon engraved "Buffalo Hump Jr."
When son John Caperton Hays married Anna McMullin in San Francisco, two Texas Ranger legacies were combined. Her father, Captain John McMullin, was one of Jack Hays' closest friends; he had followed him to California.

Jack Hays' brother was Confederate Brigadier General Harry T. Hays of New Orleans. Their sister Sarah "Sallie" Hays Hammond was the mother of John Hays Hammond. John Hays Hammond, Jr., was an apprentice to Thomas Edison and worked with Nikola Tesla; he was on the board of directors for RCA.

In 1849 Hays was appointed by the United States government as the US Indian agent for the Gila River country in New Mexico and Arizona.

The next year the Hays joined the migration to California, leading a party of a party of Forty Niners from New York that traveled in wagons to California from Texas. This party pioneered a shortcut on Cooke's Wagon Road that saved a long journey to the south. That improved route became known as the Tucson Cutoff. Hays was elected sheriff of San Francisco County in 1850, and later became active in politics. In 1853, he was appointed US surveyor-general for California.

Hays was one of the earliest residents of the city of Oakland. In the following years, he amassed a considerable fortune through real estate and ranching enterprises. In 1860, while in Virginia City, Nevada, on business, he heard the news of the First Battle of Pyramid Lake. He commanded a force of volunteer soldiers at the Second Battle of Pyramid Lake.

During the Civil War, Hays retired from military involvement.

In 1876, Hays was elected as a delegate to the Democratic Party national convention, which nominated Samuel J. Tilden for the presidency of the United States.

Jack Hays died in California on April 21, 1883, and his remains were interred at Mountain View Cemetery in Oakland.

John C. Hays is the namesake of Hays County, Texas.

Source: https://en.wikipedia.org/wiki/John_Coffee_Hays


"Jack Hays"
Jay Hester
24" x 18"
$4,500.00
Call 830-816-5106 to purchase or view before the "Parade"

Flacco the Younger by Jay Hester

New character study painting  by Jay Hester for the Parade of Artists, opening next week. This study will be available for sale at the JR Mooney Galleries - Boerne location.

Purchase here at:

http://www.jrmooneygalleries.com/index.php?route=product/product&product_id=7102


 Flacco was the youngest of two chiefs, father and son, both named Flacco. Flacco the Elder, a friend of Sam Houston, was made a colonel in the Texas Army for services to the Republic of Texas. He could write his name and signed his signature as "Flacco Colonel." His son, Flacco the Younger, led Lipan scouts for Jack Hays' company of Rangers and taught Hays how to trail.

He also taught him Comanche battle tactics. He and Hays were close. Flacco, it was said, constantly watched Hays and nothing the Ranger captain did escaped his notice.
In many of Hays' fights with Comanches from 1840 through 1842, Flacco was there, with his Lipans as scouts and warriors. Several times Flacco saved Hays' life or Hays saved Flacco's. On one foray in search of hostile Comanches, Rangers invited Flacco to share a meal. "No," he said, "warriors never eat much on warpath. Captain Hays is great chief, but Rangers eat much too much on warpath. Too much eat, too much eat."

In 1841 in a battle on the Llano, Hays' Rangers attacked 200 Comanches and during the fight, Hays' horse ran straight at the Indian lines. Thinking that Hays was charging, Flacco rode after him. Both men rode through the Comanche lines and came out the other side untouched. Flacco said Captain Jack was "bravo too much." The Lipan chief added, "Me and Red Wing not afraid to go to hell together. Captain Jack not afraid to go to hell by himself."

In 1842, at some soiree at LaGrange, Flacco was one of the invited guests. He dressed for the occasion, wearing his breechclout and leggings of white buckskin and a string of beads, amulets and silver wrist bands. He was in the company of Capt. Mark Lewis.

A young lady played the piano for the chief's amusement and afterward, someone remarked that the young lady was a particular favorite of Capt. Lewis. "Oh, no," she said, "I am not tall enough for the captain."

Looking over and sizing up the young lady, who was somewhat short and overweight, Flacco said, "You tall too, but the Great Spirit, him put hand on head and mash you down."

In 1842, Flacco joined Jack Hays as part of the punitive Somervell expedition into Mexico that led to the disastrous Mier raid.

When Somervell was forced to turn back, he gave permission for those of his men who needed fresh mounts to confiscate horses from an old ranch near Laredo, since the herds were a source of supply for bandits. Flacco rounded up a caballada of 40 horses, a valuable herd. On the way to San Antonio, Flacco and his deaf-mute companion were murdered and the horses were stolen.

There was no real mystery about who killed Flacco, but Sam Houston, in his second term as president of the Republic, was anxious to prevent hostilities with Lipan-Apaches, should they learn that their young chief had been killed by two white horse thieves. Houston spread the word that Flacco was killed by a Mexican bandit named Agaton. Houston asked Noah Smithwick, who lived near Flacco the Elder, to tell him that Mexican bandits killed his son. Smithwick said it was simply a ruse to prevent the Lipans from going on the warpath. A Houston newspaper added to the misinformation, reporting that the bandit Agaton had been sighted on the Nueces River and some traders said he was responsible for murdering Flacco. Hays' Rangers were sent to capture or kill Agaton.

The real killers were James Ravis and Tom Thernon, the two men helping drive Flacco's horses. They were seen in Seguin with the horses shortly after Flacco's murder. They were not pursued or arrested or changed because their arrest and trial would not fit the concocted story that the Mexican bandit Agaton was the killer.

Flacco the Elder distributed his son's possessions to friends, sending one of his son's prized horses to Sam Houston.

Before it was delivered, pranksters at LaGrange, opponents of Houston, disfigured the horse by cutting off its mane and tail. Houston sent the Lipan Apaches a poem about the young Flacco.

 Perhaps no single piece of Houston's writings have been reprinted as often as the words he wrote in condolence to Flacco the Elder on the death of his son, part of which is printed below:

My heart is sad!
A cloud rests upon your nation.
Grief has sounded in your camp;
The voice of Flacco is silent.

His words are not heard in council;
The chief is no more.
His life has fled to the Great Spirit,
His eyes are closed;
His heart no longer leaps
At the sight of the buffalo.

The voices of your camp
Are no longer heard to cry
"Flacco has returned from the chase."

Grass will not grow
On the path between us.Let your wise men give counsel of peace,
Let your young men walk in the white path.
The gray-headed men of your nation
Will teach wisdom.

—Thy brother, Sam Houston.

After the death of their son, Flacco and his wife began to fast, a Lipan custom. When they visited Noah Smithwick, they had starved themselves until, said Smithwick, they looked like mummies. Smithwick convinced them to end their fast and share a meal cooked by his wife.

The name of Flacco the Younger is remembered in large measure due to his connection with two superstars of Texas history — Jack Hays and Sam Houston. He is remembered because of his devoted friendship with Hays and because of the Houston's elegy on his death, who wrote of Flacco that — "His heart no longer leaps at the sight of the buffalo."


Source: http://www.caller.com/columnists/murphy-givens/death-of-an-indian-chief-flacco-the-younger-ep-359046040-316150601.html