The Country Hillside of K. Adams

See more of K. Adam's artwork on our website at:

 http://www.jrmooneygalleries.com/index.php?route=product/manufacturer/product&manufacturer_id=421

Born in South Korea in 1958, Adams received his artistic skills formal training in his homeland. His first personal exhibition was at the U.S. Forces in Korea in 1985. He spent the next years exhibiting work in major cities and received many national awards. During his painting career it was through the 18th century landscape painters that he found pure inspiration. Adams development as a landscape artist is sought after internationally. He feels very strongly that the true expression of art resides in nature, and his art represents this through the very delicate differences of color blends in his composition and arrangement of each landscape. In his painting the beauty of life and art converge in a remarkable way.

Dalhart Windberg, "Yucca Cactus"
By: Gabriel Diego Delgado
Art Consultant
J R Mooney Galleries

..."This horizontal painting by the world renowned Dalhart Windberg, is a 60’s throwback to a time of a palated aesthetic. This orange, garish, and post-apocalyptic landscape is complete with barren branches of broken vegetation that references the Pencil (stick) cactus; bookending a vital cactus patch.  Approaching such a diminishing acute angle, the flowered cactus in the foreground start at a higher depth at the left side, diminishing in perspective or measurable volume as the painting reads left to right. The viewer’s connection breaks at a cluster of spiky Yucca cactus on the right; a dark and shadow ridden vegetation that caters to the brazen fire-burning skyline of insidious haze.  Windberg’s palette knife strokes make for choppy and slanted textures on the rocks and stones. Although this creates a somewhat muddy color field; the application works w
ith the motifed application of knife and brush- such is the example of the cactus themselves.  Usually Windberg pays careful attention to shadows, light, color, and values, but in “Yucca Cactus” his play on shade turns to gloom as he investigates the “un-penetrate-able” crevices that lurk in the midst of such undergrowth.  Unusual in his decision to add such a secondary color as the main hue, this painting is a gem, unique to his roster of paintings and surely a collector’s item in its own integrity."

JR Mooney Galleries
8302 Broadway
San Antonio, TX
210.828.8214

www.jrmooneygalleries.com